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Box Comment Generator Myspace
 Gen X TV: The Brady Bunch to Melrose Place by Rob Owen, No generation eludes definition as much as Generation X. Rob Owen opens with a history of network and cable television since the birth of Generation X and goes on to explore the symbiotic relationship between television and this largely misunderstood age group. From the first megahit The Brady Bunch to today's Friends, Owen unflinchingly describes the "boob tube" as the ubiquitous babysitter for millions of young people. Television, Owen maintains, consumes innocence as viewers encounter countless episodes of society's woes, from political strife and environmental decimation to everyday violence and crime. The peculiar television style of Gen X sitcoms -- sarcastic, quick, and flashy -- especially appeals to his generational cohorts, Owen states, for that is the perspective these Xers have of the world at large. Music television introduces still another aspect of visual cognition that reinforces such perceptions. And how do the Internet and online computer services fit into all of this? Since it first entered the mainstream in late 1993, the Internet has rapidly become a forum for anyone with anything to say about TV, music, and entertainment. Unlike twenty years ago, when "Trekkies" had to correspond by mail or attend conventions to share information, the mass technology of the nineties has made information the most plentiful and the cheapest commodity on the market. In fact, now network researchers and TV show producers actually solicit viewers' comments about particular shows online. "Even those Gen Xers who proudly post "Kill Your Television" bumper stickers on their cars grew up watching the box, and whether they like it or not, it has influenced their lives".
 High Concept: Movies and Marketing in Hollywood by Justin Wyatt, Steven Spielberg once said, "I like ideas, especially movie ideas, that you can hold in your hand. If a person can tell me the idea in twenty-five words or less, it's going to make a pretty good movie." Spielberg's comment embodies the essence of the high concept film, which can be condensed into one simple sentence that inspires marketing campaigns, lures audiences, and separates success from failure at the box office. This pioneering study explores the development and dominance of the high concept movie within commercial Hollywood filmmaking since the late 1970s. Justin Wyatt describes how box office success, always important in Hollywood, became paramount in the era in which major film studios passed into the hands of media conglomerates concerned more with the economics of filmmaking than aesthetics. In particular, he shows how high concept films became fully integrated with their marketing, so that a single phrase ("Just when you thought it was safe to go back in the water . . .") could sell the movie to studio executives and provide copy for massive advertising campaigns; a single image or a theme song could instantly remind potential audience members of the movie, and tie-in merchandise could generate millions of dollars in additional income.
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